Claudia Hirschfeld – The Stage Collection (2CD) (Back in Stock)

CD Duration (Combined): 2 hours 20 minutes / Year: 2017

Early November 2017 double CD compilation featuring 35 of her all-time favourites from SEVEN of her best albums.

Also includes SIX unreleased tracks* recorded on the Wersi Louvre (22 minutes of new material).

Disc One (Running Time 70:28):
Toccata
Highland Cathedral
Young Opera
(I Do Like To Be) Beside the Seaside
Villamartin
Rock ’n’ Roll Medley: Jailhouse Rock / Hound Dog / Blue Suede Shoes
Brahms’ Lullaby
Caipirinha
Radetzky March
Nostradamus
Mission Impossible
Happy Radio
Ode to Joy
Music
Waltz No.2 *
Elvira Madigan *
You’ll Never Walk Alone *

Disc Two (Running Time 68:58):
Contrasts
Eleni
Triumphal March
Dreams of Dubai
Moliendo Café
Chorus of the Hebrew Slaves
Colours
Queen of the Night
Hagia Sophia
Theme from Caravans
Tanzen Möcht’ Ich
Pie Jesu
Milestones
Das Boot
Time To Say Goodbye
Sabre Dance *
Ave Maria *
You Raise Me Up *

(* Unreleased Bonus Tracks)

INSTRUMENTS PLAYED:
Wersi Spectra Golden Gate
Wersi Scala
Wersi Louvre GS1000
Wersi Abacus
Roland Atelier AT-900c

SLEEVE NOTES

CLAUDIA HIRSCHFELD – born and living in Germany near Cologne – is a world renowned professional organist and keyboard player: a veritable Superstar on her instrument, who has not only performed successfully in Europe, but also in North and South America too. Most recently she caused a sensation in the UAE (Dubai and Abu Dhabi) as well as China (Shanghai). Besides her work as a solo artist she has made a name for herself as an “orchestra” for well-known vocalists and instrumentalists, having accompanied world-famous opera stars like René Kollo, Eva Lind or the German Tenors and Germany’s leading trumpet player Walter Scholz on several occasions. She has numerous CD, DVD and video productions that are testimony to her tireless work, which support her reputation as the “First Lady” and “Queen of the Organ”.

Claudia Hirschfeld commenced her career as a professional organist at the age of 18 with the release of her first recording “Summerlove”. Now acclaimed as one of the finest performers on the electronic organ, she has appeared in concert all over the world. Claudia Hirschfeld is also a much sought after celebrity attraction with major companies such as BMW, Coca Cola, Ford, Goodyear, Jaguar, Lufthansa or Siemens, for whom she can be found playing at their corporate events. Parties for the rich and famous also figure in her hectic concert diary, and include invitations to the homes of TV stars, who together with German Presidents Roman Herzog and Johannes Rau, are amongst her proudest moments. Adept at interpreting nearly all kinds of music: classics, dance, pop, evergreens, films and musicals, Claudia has written a number of personal compositions, some of which are also included on this compilation release for NOT NOW MUSIC.

Claudia Hirschfeld plays nearly 100 shows a year touring with her three manual Wersi organs. With these highly sophisticated instruments she is able to create her individual style incorporating the sound of whole symphony orchestras, ensembles and Big Bands. Her unique and eye catching pedalboard technique has become her trademark, earning her international press acclaim as “PRIMA BALLERINA OF THE ORGAN”.

This CD double-pack includes a selection of tracks from several releases of the last 20 years plus six bonus tracks especially recorded on her Wersi Louvre organ and heard now for the first time. All of these tracks are still regularly played by Claudia Hirschfeld at her live performances & so that’s why she chose to call this double CD “THE STAGE COLLECTION!”

Issue 358 – December 2017

(Double CD) Claudia Hirschfeld – The Stage Collection
Running Time 2 hours 20 minutes – Price £6.95

We now move to a double CD compilation of German organist Claudia Hirschfeld’s best tunes taken from SEVEN of her albums (thirty-five tracks in total). You may be sad to hear it’s not a brand new recording, but it does contain SIX unreleased tracks played on the Wersi Louvre. At the bargain price of just £6.95 and with over twenty-two minutes of new material, it does make it one of those Greatest Hits CDs that’s actually worth spending money on, even if you happen to have all her albums. It’s unusual as it’s not one of Claudia’s own releases, but has been produced and packaged by ‘Not Now Music,’ who have been the record company behind the four most recent Klaus Wunderlich CDs and also the “Organ Moods” set.

Now I should come clean… as this is not officially released until November 10th (when this magazine is at the printers), I don’t actually have a copy of this one, just the graphics of the packaging and track details. However, as it’s nearing Christmas and this would make a cracking little stocking filler, I thought I would give you the details.

The albums selected for inclusion range from 1999-2012 and are; Spectrum (1999), Blackpool Favourites (2002), Milestones (2003), The Wonder of Music (2004), Classicals (2009), Colours (2011) and Il Concerto (2012). All of these are played on various Wersi models, from the Spectra Golden Gate and Scala to the Louvre GS1000 and Abacus keyboard. The only exception are two tracks from ‘Colours’ which was Claudia’s only foray into Roland’s Atelier instruments and the AT-900c model.

Having stocked all the CDs these tracks have been plucked from (bar the unreleased ones which look pretty interesting), I think the result will be a very enjoyable and popular release. Not Now Music do a great job on the packaging side of things too, so you will have a great looking end product with an outer sleeve and a nice informative booklet.

Issue 359 – January 2018

I mentioned this double CD compilation by German organist Claudia Hirschfeld’s last issue. It wasn’t released at the time of review, but it is now, and it is a lovely produced set containing thirty-five tracks from seven of her recordings, plus six unreleased ones played on the Wersi Louvre. It’s worth noting that all the CDs these tracks have been taken from are now deleted, which make this set even more collectable.

The tracks that have been selected cover a thirteen year output from 1999-2012, the CDs being: Spectrum (1999), Blackpool Favourites (2002), Milestones (2003), The Wonder of Music (2004), Classicals (2009), Colours (2011) and Il Concerto (2012). Most are played on various Wersi models, including the Spectra, Scala, Louvre, Abacus, with the addition of two tracks on the Roland Atelier AT-900c.

This is certainly an eclectic mix, from slow classical/orchestral pieces to several pulsing Euro-trance numbers which are slightly more popular on the other side of the Channel (and possibly a more youthful audience). These pieces are fun and give variety to a set-list that stretches to two hours and twenty minutes! Claudia has several of her compositions on here too, which make up  some of the album’s highlights.

Highlights include, “Highland Cathedral,” The techno-version of “(I Do Like To Be) Beside the Seaside,” “Caipirinha,” “Mission Impossible,” “Music,” “Waltz No.2”. Disc two has, “Contrasts,” “Eleni,” “Moliendo Café,” the funky “Colours,” the Euro trance/operatic mix of “Queen of the Night,” “Theme from Caravans,” “Pie Jesu,” “Time To Say Goodbye,” “Sabre Dance” and “You Raise Me Up.”

As I said last time, this is the latest organ release from the ‘Not Now Music’ label who have done such a great job on the recent double CD sets of Klaus Wunderlich and Organ Moods.

FULL TRACKS: Disc One (Time 70:28): Toccata • Highland Cathedral • Young Opera • (I Do Like To Be) Beside the Seaside • Villamartin • Rock ’n’ Roll Medley • Brahms’ Lullaby • Caipirinha • Radetzky March • Nostradamus • Mission Impossible • Happy Radio • Ode to Joy • Music • Waltz No.2 * • Elvira Madigan * • You’ll Never Walk Alone * • Disc Two (Time 68:58): Contrasts • Eleni • Triumphal March • Dreams of Dubai • Moliendo Café • Chorus of the Hebrew Slaves • Colours • Queen of the Night • Hagia Sophia • Theme from Caravans • Tanzen Möcht’ Ich • Pie Jesu • Milestones • Das Boot • Time To Say Goodbye • Sabre Dance * • Ave Maria * • You Raise Me Up * (* Unreleased Bonus Tracks).

Review by Ian King from Organ and Keyboard Cavalcade Magazine.